A Textual Thanksgiving

I want to wish everyone a Happy Thanksgiving. I have much to be grateful for this year, as Black Friday marks four months since my transsphenoidal (through the nose) brain surgery on July 24.

I have rebounded. I’m back to running and lifting light weights, and I can sneeze and blow my nose without any concern about bleeding or cerebral spinal fluid leaks. I am so thankful my recovery has been steady and unremarkable, with no complications (fingers still crossed).

Interpreting the medical jargon in my latest MRI report—it seems residual tumor matter is still pressing against the optic chiasm and affecting the optic nerve. And my vision has not been fully restored since the tumor grew back a few years ago (and likely never will be). I still have double vision when looking to the far right in my peripheral field, and I need a prism on my reading glasses, which I use when working on the computer. But I can drive because I have no double vision straight on.

I want to share a few  Thanksgiving-themed poems. I am currently reading Poems 1962-2012 by the late poet Louise Glück.

Here are two poems that struck me and are relevant for the season. I must admit I don’t understand the meaning of many of Louise’s poems, but I thoroughly respect and admire her artistry with language. And the works remain open to interpretation by the reader.

Autumnal by Louise Glück

Public sorrow, the acquired
gold of the leaf, the falling off,
the prefigured burning of the yield:
which is accomplished. At the lake’s edge,
the metal pails are full vats of fire.
So waste is elevated
into beauty. And the scattered dead
unite in one consuming vision of order.
In the end, everything is bare.
Above the cold, receptive earth
the trees bend. Beyond,
the lake shines, placid, giving back
the established blue of heaven.

The word
is bear: you give and give, you empty yourself
into a child. And you survive
the automatic loss. Against inhuman landscape,
the tree remains a figure for grief; its form
is forced accommodation. At the grave,
it is the woman, isn’t it, who bends,
the spear useless beside her.

Thanksgiving by Louise Glück

They have come again to graze the orchard,
knowing they will be denied.
The leaves have fallen; on the dry ground
the wind makes piles of them, sorting
all it destroys.

What doesn’t move, the snow will cover.
It will give them away; their hooves
make patterns which the snow remembers.
In the cleared field, they linger
as the summoned prey whose part
is not to forgive. They can afford to die.
They have their place in the dying order.

And in doing some research, I found another “Thanksgiving” poem, this one by Ella Wheeler Wilcox (1850-1919)

Thanksgiving by Ella Wheeler Wilcox

We walk on starry fields of white
And do not see the daisies;
For blessings common in our sight
We rarely offer praises.
We sigh for some supreme delight
To crown our lives with splendor,
And quite ignore our daily store
Of pleasures sweet and tender.

Our cares are bold and push their way
Upon our thought and feeling.
They hand about us all the day,
Our time from pleasure stealing.
So unobtrusive many a joy
We pass by and forget it,
But worry strives to own our lives,
And conquers if we let it.

There’s not a day in all the year
But holds some hidden pleasure,
And looking back, joys oft appear
To brim the past’s wide measure.
But blessings are like friends, I hold,
Who love and labor near us.
We ought to raise our notes of praise
While living hearts can hear us.

Full many a blessing wears the guise
Of worry or of trouble;
Far-seeing is the soul, and wise,
Who knows the mask is double.
But he who has the faith and strength
To thank his God for sorrow
Has found a joy without alloy
To gladden every morrow.

We ought to make the moments notes
Of happy, glad Thanksgiving;
The hours and days a silent phrase
Of music we are living.
And so the theme should swell and grow
As weeks and months pass o’er us,
And rise sublime at this good time,
A grand Thanksgiving chorus.

Lastly, at a recent appointment at my primary care doctor’s office, I noticed a framed picture of a prose poem entitled “Desiderata” hanging on the wall in an exam room.

The line at the bottom of the page reads, “Found in Old St. Paul’s Church, Baltimore, Dated 1692.” But the piece was actually written in 1927 by Max Ehrman, an Indiana attorney and poet. Some information on the website of Old St. Paul’s Church recounts the story.

And here is the full text. I highlighted some parts that stood out to me.

Desiderata by Max Ehrmann

Go placidly amid the noise and the haste, and remember what peace there may be in silence. As far as possible, without surrender, be on good terms with all persons.

Speak your truth quietly and clearly; and listen to others, even to the dull and the ignorant; they too have their story.

Avoid loud and aggressive persons; they are vexatious to the spirit. If you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.

Enjoy your achievements as well as your plans. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time.

Exercise caution in your business affairs, for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals, and everywhere life is full of heroism.

Be yourself. Especially do not feign affection. Neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.

Take kindly the counsel of the years, gracefully surrendering the things of youth.

Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with dark imaginings. Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe no less than the trees and the stars; you have a right to be here.

And whether or not it is clear to you, no doubt the universe is unfolding as it should. Therefore be at peace with God, whatever you conceive Him to be. And whatever your labors and aspirations, in the noisy confusion of life, keep peace in your soul. With all its sham, drudgery and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy.

 

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Urban Exploration

I had a morning eye doctor’s appointment earlier this week. And I had some time to kill before the dilation drops rendered my eyes useless for the rest of the day. After getting off the bus at Washington Street near City Hall, I cut across Montgomery Street while making my way to Presidential Plaza.

St. Paul’s Church. Photo by Francis DiClemente.

Brick wall with ivy. Photo by Francis DiClemente.

Along the way, I snapped a few photos with my antiquated, battery-challenged iPhone 8, jotted down a quick poem about some feathered denizens of the Salt City, and captured a moment of tranquility on a sunny morning downtown.

I felt grateful for the opportunity to capture a myriad of sights and sounds the universe sent my way. It was another reminder to always pay attention to my surroundings and be on the lookout for creative inspiration. Here’s the poem I wrote. It required significant revision as it made the transition from my pocket notebook to my computer.

Bird Chatter

Three pigeons
perched on a wire.

What are they
talking about
on this bright,
sunny morning?

But their conversation
is restricted—not for
human interpretation.

And the chatter ends
when the birds
lift from the wire,
taking off in formation,

flapping their wings,
and sending feathers
twirling to the ground.

 

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Jumpcuts of Thought

I was flipping through one of my older poetry books—Dreaming of Lemon Trees: Selected Poems (Finishing Line Press, 2019)—and I came upon “Jumpcuts of Thought.” I like the stupid absurdity of it, and I thought I would share the poem, since many people have not read it in book form. It’s also one of the only poems I’ve written that employs the use of rhyme.

Jumpcuts of Thought

Clorox shine
and Rust Belt mine.

Ruddy hue
and Spade gumshoe.

Tootsie Pop
and soiled mop.

J.S. Bach
and Shakur, Tupac.

Codeine high
and ham on rye.

Minnie Mouse
and adobe house.

Petrie dish
and sardine fish.

Rockwell print
and strand of lint.

Ruby Dee
and Wounded Knee.

Swollen lip
and radar blip.

Clark Gable
and Aesop fable.

Toilet seat
and sirloin meat.

Shower stall
and Camus’s The Fall.

Mustard green
and college dean.

Lowell, Mass.
and Namath pass.

The odd pairings
go on and on,
in this celebration of incongruity—
a verbal exercise
to stimulate the mind.

 

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Late August

Today marks one month since my brain surgery. My recovery is going well, but I’m still not back to full strength.

I’ve been walking in my neighborhood to build up my stamina. I’m still using the cane I received when I was discharged from the hospital, but I hope to ditch it soon.

When I walk, I don’t listen to music or podcasts. For safety reasons, I need to hear cars approaching, and I also keep my ears open for stimulating sounds—birds, wind chimes, children playing, etc.

A lot of times, I get ideas for poems while out on my walks. Often, one line will pop into my head and start me down the path of writing a poem. Recently, I was walking and thinking about the end of August, and this line came to me: It’s always sad when summer ends. I jotted the line down in the small notebook I carry with me. After some work, this is the poem I produced:

Late August

It’s always sad when summer ends.
But avoidance of the inevitable is impossible.
And in this season of life, a little winter must come.
So I tell myself to stop being disgruntled
by summer’s death and autumn’s arrival,
and instead get to work—starting with
descending the cellar steps and bringing up
the long johns, flannel shirts, and heavy wool socks.

It’s not the greatest poem in the world. But I like that I followed the trajectory the poem wanted to take—starting with one line, then others scribbled in my notebook, followed by revisions on the computer.

So I recognize the importance of awareness and paying attention to both external and internal stimuli to use as raw material for poetry (and stories, etc.).

And this reminds me of a line from the Grateful Dead song “Scarlet Begonias” (thank you, Robert Hunter):

Once in a while, you get shown the light
In the strangest of places if you look at it right …

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Birthday Note

I celebrated my birthday yesterday by relaxing at home with my family. As kids are wont to do, my son, Colin, blew out the candle on the cake, so we had to light it twice.

Colin Joe getting reading to blow out the candle.

I snuck in a couple of wishes, but mostly I felt enormous gratitude for still being here for another day and another year.

The night before I reflected on my recovery from surgery and my birthday, journaling for a few minutes while standing near my bedroom dresser. I am not a habitual journal writer, but I have notebooks scattered throughout the house to be available when the urge strikes me. Often my journal entries—which I always convert to a long-running Word document—contain mundane facts and banal thoughts with no potential to become raw material for a poem, story, or essay. However, sometimes the act of moving my pen on paper will lead me to a line that initiates energy.

And this is what I came up with the other night. It’s not a great poem, but I was happy I wrote it in a spontaneous burst and finished it in one draft.

On the Eve of My Fifty-Fourth Birthday

There has to be more
to this life than
just what we see.

Or else there isn’t—
in which case
death won’t be
so scary.

It’ll just be a
harmless place
devoid of life.

And you and I
can handle that, right?

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Quintessential Listening: Poetry Online Radio

I just wanted to share the recording of the podcast Quintessential Listening: Poetry Online Radio, hosted by Dr. Michael Anthony Ingram. I was the guest on the show on Thursday, July 6. You can find the link here.

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Interview and Upcoming Poetry Podcast

I just wanted to share that I’ve been featured in a short interview on AwesomeGang.com. You can find it here.

Also, I will be the guest on a poetry podcast at 8 p.m. Eastern Time on Thursday, July 6. I will be reading selections from my latest collection, The Truth I Must Invent.

The show is Quintessential Listening: Poetry Online Radio, hosted by Dr. Michael Anthony Ingram. Here’s the link to connect on Thursday. 

https://www.blogtalkradio.com/ql_p/2023/07/07/quintessential-listening-poetry-online-radio-presents-francis-diclemente

Have a safe and happy Fourth of July weekend.

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In Praise of Small Notebooks

While out for a walk this morning, I saw two deer bounding across a lawn. I also jotted down some lines that came to me, once again realizing the importance of always carrying a small notebook and pen. You never know when inspiration will strike, and my fingers are not deft enough to text the words on my phone.

It’s not the greatest poem in the world, but I’m glad it came out fully formed in the course of a morning.

Image Reconciliation

Take a look
at the photo.
See your face
in the picture.
Don’t hide
from the image.

Think of the
kid you were
so many
years ago.

Now look again.
This is who
you are.

This is who
you were
meant to be
all along—

The person
you see
right here,
right now.

Say hello
to yourself.
Be kind
to the human
before you.

This is
the only you
you’ve got.

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External Stimuli

So much of my time is spent inside my head. Thoughts ricocheting in all directions—fears, goals, ideas, projects, timelines, and more rushing at me. I have multiple “To-Do” lists with many tasks that never get done (one list for work, one for life and family, and one for writing and art).

And because I am so scatterbrained, I often instruct myself to “slow down, look outward, pay attention, and observe.” In other words, to pause the internal conflict by seeking external stimuli.

And recently I was rewarded by discovering some visual and verbal creations in the course of my daily meanderings.

While walking to work one day, I saw artwork installed in the window of the former business Eureka Crafts on Walton Street in Armory Square. Numerous pieces were on display, but two large-scale, mixed-media objects caught my attention.

Enjoy Art 2 / Life (POJ) by not_miscellaneous.

The style reminded me of Andy Warhol silkscreen prints—most notably the Mick Jagger series.

Mick Jagger series by Andy Warhol.

The dynamic colors and composition of the works captivated me, but what kept me at the window for a few minutes was the intentional gaze of the subjects looking at the viewer—giving me the sense of the “observer being observed.” In this sense, the artwork connected to its audience.

Enjoy Art / Trades Only by not_miscellaneous.

I didn’t see an artist’s name or titles listed. But there was a QR code that read “WINDOW ART AUDIO TOUR,” with the word Midoma. I did some research and found a Midoma website with a heading that reads: “A Curated Selection by New York Artists for Fashion, Art + Beauty Lovers.”

The artwork is for sale here.

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My second discovery came in one of the lobbies of the Nancy Cantor Warehouse in downtown Syracuse, home of the School of Design at Syracuse University, and where our SU marketing division is housed.

I saw a few copies of the student-run publication Perception spread out on a small, circular table. I grabbed a copy of the Fall 2022 issue.

The cover of the Fall 2022 issue of the student-run literary magazine Perception.

I haven’t had time to read the entire magazine, but the first poem I flipped to hit me hard with its brevity, rhythm, and raw language. I call this kind of verse a “thunderbolt poem,” because it slugs you in the gut and flings an arrow to the heart.

A classic example—Langston Hughes’s poem “Suicide’s Note”:

The calm,
Cool face of the river
Asked me for a kiss.

Though not in the same style as Hughes’s masterpiece, the poem “Rapacity” by Madeline Rommer provides the same effect. It drew me in because I don’t know what a “carbon dioxide sunset” is, but I love the imagery. And the power of the last two lines stuck with me.

The poem “Rapacity” by Madeline Rommer.

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The Truth I Must Invent

I’m excited to report I have a new poetry collection available. It’s entitled The Truth I Must Invent, and it was my pleasure working with publisher Akshay Sonthalia from Poets’ Choice to bring the book to fruition.

The Truth I Must Invent book cover. Cover Design by Koni Deraz; Cover Photo by Engin Akyurt; Book Design by Adil Ilyas.

You can find a print version on the publisher’s site. It’s also available on Bookshop.

The Truth I Must Invent is a collection of narrative and philosophical poems written in free-verse style. In it, I explore the themes of self, identity, loneliness, memory, existence, family, parenthood, disability, gratitude, and compassion. The work examines the conflicting web of emotions all adults face and the truths that lie in between. It also suggests that even in our darkest moments, joy and contentment can be found through resilience and a willingness to hope.

Here are a few excerpts:

Cake Mistake

Peggy made a huge mistake
when she baked a
grocery store celebration cake.
She put a D
where a T should be
in the middle of the
word CONGRATULATIONS.

The customer was pissed.
But Peggy kept silent
as the irate woman left the store
without paying for her order.

Peggy’s manager docked her pay,
and yelled at her for making
such a stupid mistake,
to which Peggy replied:

“Look, I never went to college
and there’s no spell-check when baking a cake.
And I’m sorry I screwed up, but I think that D
will taste just as sweet as a T,
so I’ll take that cake home for my kids to eat.”

Camera Angle

What would I choose
if I were given a chance
to lead a different life?

What mistakes
would I correct?
What new road
would I take?

But you can’t splice
the scenes of your life
to edit the past.
You can only point
the camera forward
and zoom into the future.

Observation After Eating Out

Pity for my son swells.
Yet I feel helpless,
Unable to intervene
To make his autism
Go away.

Our patience dwindles
As his outbursts intensify.
But love does not wane.
Instead, it grows stronger.

I have only one son.
Yes, he is different.
He is noisy and
Requires constant attention.
But I am thankful for
His presence in my life.
And who needs the quiet anyway?

©2023 Francis DiClemente
The Truth I Must Invent (Poets’ Choice)

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