Iâd like to offer a book suggestion that would be a good read anytime but seems ideal for a pandemicâduring an unprecedented time in human history when we are all contemplating our existence on this planet.
The book is a collection of poems inspired by a series of photographs captured by the author, Kathleen Kramer. I must state at the outset that I am biased; Kathleen is a friend and we have supported each other over the years through many writing projects.

The author with her husband, Jack.
I also wrote one of the blurbs on the back of the book, which is entitled Everything Matters (Yesteryear Publishing, 2020). But thatâs not why Iâm recommending this collection. Iâm recommending it because of the quality of the writing, its universal message and the transcendent feeling the book delivers to the reader.

Everything Matters by Kathleen Kramer.
To better explain the book, I turn it over to Kathleen, who has agreed to answer some questions about the work. I highlighted some phrases that caught my attention.
Can you give a brief description of the book? What do you hope people will take away from it?
The book, Everything Matters, is a collection of poems and the photographs which inspired them. (So, I guess if I could be bold enough to call my simple photos art, this is a collection of ekphrastic poetry.) Iâve found that if I pay attention, there is often something about an object or a scene I may see that âcatchesâ me. Iâm guessing many others have found this, as well. Maybe as we mail a letter and are struck by the pattern of shadows on the steps of the Post Office. Or, at the bookstore, we catch sight of a book we used to read to our children 50 years ago. Or we see a little boy contemplating his first big snowfall. Thereâs something that has connected on a level deeper than the simply visual. So these photos and these poems were not planned nor conceived together, but arose later, paired, and out of a place within and, perhaps, a place âbeyondâ myself.

“Small Things” by Kathleen Kramer.
Itâs my belief that creativity, whatever form it may take, is a gift from something greater than ourselves. We are enlarged by creating something beautiful, authentic, honest. And I think our hope is that those who read or see or hear our work will be enlarged, too, and feel a personal connection that is important to them.
My observation: I love Kathleenâs statement that âwe are enlarged by creating something beautiful, authentic, honest.â Itâs the sense that art is a shared connection between the creator and the reader or audience, and both sides are required for a satisfying experience.
Can you describe how your work celebrates or gives heightened meaning to the ordinary moments of existence?
Almost 30 years ago, when I first began writing seriouslyâboth plays and poetryâit was the âordinaryâ life or the âordinaryâ event that called to me. There always seemed, to me, to be something bigger that lived in that life or event. For lack of a better way to explain it, I believe there is a holiness at the heart of most ordinary things. Or, quoting Gerard Manley Hopkins, âThere lives the dearest freshness deep down things.â

Lines by Kathleen Kramer.
So I guess what I wish for is that by calling attention to the seemingly-simpleâa moth on the window or a chocolate sprinkle fallen from an ice cream coneâthe reader or listener to these poems will be led to see a holiness in their own lives and the lives of those around them.
What was the most challenging part of the process for youâwriting the poems, taking the photographs or piecing the words and images together?
Truthfully, in most cases, the process seemed organic. Something in me responded to something I saw. I didnât stop to think about it, I just took the photo. Then I waited for whatever âspokeâ to me in that image to come to the surface. Sometimes it came within minutes, but usually it was hours, or even days or weeks, or months. Again, it seemed organic in that it happened in its own time, maybe like a baby robin hatching or a peony opening from its tight bud. So to answer your question, neither partâtaking the photos or writing the poemsâwas particularly difficultâexcept for getting myself out of the way enough for the authentic to come forth.

Not So Long Ago by Kathleen Kramer.
Then, of course, thereâs the re-writing, when itâs not always easy to let go of a phrase or a line that takes away from the integrity of the poem, regardless of how much I loved that particular phrase or line.
My observation: Her responses, âI didnât stop to think about itâ and âgetting myself out of the way,â inspire me. The goal is simpleâjust create and donât worry about the result. Trust the process and have faith that it will yield results.
How can reading poetry help people during a pandemic?
Perhaps the greatest benefits to reading poetry at this very challenging time is that poetry can take us out of ourselves into a larger consciousness while, at the same time, leading us deeper into that part of ourselves that is tender and receptive, hopefully affirming a wholeness that exists, regardless of the conditions around us.
Do you have any advice for aspiring writers, no matter what genre they are writing?
I think writers come to write for many reasons. Some have to. By that, I mean that they donât feel complete unless they write to explore life and to articulate, first for themselves, and then, hopefully, to share what theyâve written as a way to affirm their lives and to connect with the lives of others.
I guess there are some who write in the hope of recognition or fame. This isnât an easy motive for me to relate to. Mostly because we all know how unlikely it is that many writers will achieve it. But also because to write with âthe marketâ in mind, feels shallow, contrived, and unrewarding to the writer. But thatâs me speaking from a place where this motivation never held much importance.
What Iâm getting to, I think, is that an aspiring writer needs to be fearless, in a way, and bold in reaching for the heart of what he or she is moved to write. Be authentic. Strive to write what is true for you. At the same time, be gentle with yourself. Allow yourself to write bad sentences, bad poems. You can delete them! Or rewrite them! And, as a beloved writing teacher used to say, âGet the censor off your shoulder.â I would add, âtrust yourself, trust the process, and trust that something larger than yourself is at work.â
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