“Scenes from a Dream Landscape” is an experimental poem that was published in my collection Vestiges (Alabaster Leaves Publishing/Kelsay Books, 2012). The original version was much shorter, and while editing the Vestiges manuscript, I challenged myself to go deeper, exploring the idea of a “dream landscape” by continually asking, “What if?”

For some reason, I’ve linked the poem to the U2 song “A Sort of Homecoming” from the album The Unforgettable Fire (one of my all-time favorites). I don’t understand the meaning of the song, but I love the poetic lyrics, especially these lines:
“And you hunger for the time
Time to heal, desire time
And your earth moves beneath
Your own dream landscape . . . ”

Scenes from a Dream Landscape (Alternate title: The Keith Jackson Poem)
A shaft of morning sunlight,
the sounds of the city awakened,
a hallway carpeted with beige sequins,
a keyhole in an apartment door
revealing a woman lying on a bed,
her thigh exposed and covered in blood,
a ticking clock pasted to a nose missing the rest of its face,
a passageway to a cellar overcrowded with dancing wax figures,
an old woman on a sofa
knitting the blond hair of a girl chained to the floor,
a kitchen table made of stone and cluttered with
smashed whiskey bottles and ashtrays engulfed in flames,
a bookcase filled with only one volume—Kafka’s The Trial,
an oil painting of an electric fan
spitting green pigment in all directions.
You go deeper into the unknown,
propelled by an urge to make sense of the images.
You knock twice at the door, then turn the doorknob and enter.
And then you see yourself standing
in front of a funhouse mirror under bright pink lights.
A warbled, digital voice says:
“Welcome to our experiment on human unconsciousness.
We thank you for being a test subject.”
The lights go out, blackness cloaks you, a door swings open,
and now you are being moved
along a conveyer belt inside a stadium tunnel.

The Rose Bowl. Photo Credit: Visit Pasadena.
You come to the place where the cement overhang meets the sky.
You lean over the orange metal railing and now you see
thousands of people dressed in white hospital gowns,
sleeping on cots spread out on the turf of the Rose Bowl.
The sun begins rising and bathes the San Gabriel Mountains.
Keith Jackson’s voice comes over the public address system
and announces, “Please welcome our new guest.
Our breakfast special this morning
is poached ankles and toasted eyelids.
And don’t forget to swallow your medication
immediately after eating.
We hope you’ll join us later this afternoon
when the Ohio State marching band
takes the field and dots the I.”
Next you feel two small knees pressing against your chest
and a set of hands tugging at your ears.
Your eyes open and you find blessed comfort
in the face of your daughter Mary,
who screams, “Get up Daddy. You can’t sleep all day.”
Keith Jackson’s morning announcements then fade out,
replaced by a request for pancakes,
orange juice and a trip to the zoo.




