A Parental Poem

From time to time, I like to post some poems from my published collections. Here’s a longer narrative work with elements of fiction. It’s about my parents and how their absence has left a gulf in my life. For some reason I think about them more often during the gray days of winter, which are lingering this year.

Vestiges

My parents are gone.
They walk the earth no more,
both succumbing to lung cancer,
both cremated and turned to ash.

With each passing year,
their images become more turbid in my mind,
as if their faces are shielded
by expanding gray-black clouds.
I try to retain what I remember:
my father’s deep-set, dark eyes and aquiline nose,
my mother’s small head bowed in thought or prayer
while smoking a cigarette in the kitchen.

I search for their eyes
in the constellations of the night sky.
I listen for their voices in the wind.
Is that Rite Aid plastic bag snapping in the breeze
the voice of my father whispering,
letting me know he’s still around …
somewhere … over there?
Does the squawking crow
perched in the leafless maple tree
carry the voice of my mother,
admonishing me for wearing a stained sweater?

Dad in the kitchen. Photo by Francis DiClemente.

Resorting to a dangerous habit,
I use people and objects as “stand-ins”
for my mother and father,
seeking in these replacements
some aspect of my parents’ identities.

A sloping, two-story duplex with cracked green paint
embodies the spirit of my father saddled with debt,
playing the lottery, hoping for one big payoff.
I want to climb up the porch steps and ring the doorbell,
if only to discover who resides there.

In a grocery store aisle on a Saturday night
I spot an older woman
standing in front of a row of Duncan Hines cake mixes.
With her short frame, dark hair, and glasses,
she casts a similar appearance to my mother.
She is scanning the labels,
perhaps looking for a new flavor,
maybe Apple Caramel, Red Velvet, or Lemon Supreme,
just something different to bake
as a surprise for her husband.
A feeling strikes me and
I wish to claim her as my “fill-in” mother.
I long to reach out to this stranger in the store,
fighting the compulsion
to place a hand on her shoulder
and tell her how much I miss her.

Carmella Ruane, 1945-2011

I fear that if my parents disappear
from my consciousness,
then I too will become invisible.
And the reality of a finite lifespan sets in,
as I calculate how many years I have left.
But I realize I am torturing myself
with this twisted personification game.
I must remember my parents are dead
and possess no spark of the living.
And I can no longer enslave them in my mind,
or try to resurrect them in other earthly forms.
I have to let them go.
I have to dismiss the need for physical ties,
while holding on to the memories they left behind.

And so on the night I see the woman
in the grocery store aisle,
I do not speak to her,
and she does not notice me lurking nearby.
But as I walk away from her,
I cannot resist the impulse to turn around
and look at her one last time-
just to make sure
my mother’s “double” is still standing there.
I want her to lift her head and smile at me,
but she never diverts her eyes
from the boxes of cake mixes lining the shelf.

©2017 Francis DiClemente
(Sidewalk Stories, Kelsay Books)

Cover art by Donatas1205 (via Shutterstock).

Standard

Three Short Poems

Number 5, 1948 by Jackson Pollock

The Feast of Life

Swallow the anguish.
Extract the juice
of this bitter fruit,
and expel the residue
upon the already
splattered canvas.

Train at Night (Shutterstock)

The After-Midnight Express

A train whistle at 12:40 a.m.—
steel wheels screeching against the tracks,
a speeding thunderbolt passing
through Rome, New York,
cloaked by the cover of night,
hauling freight to the West,
or passengers en route
to another town,
while I recline in bed, awake,
traversing a picturesque landscape
inside my head.

Datebook

August 9th, 2000:
This date chosen for no reason.
Just an absurd desire,
serving as a simple reminder,
to stop on occasion,
rewind the clock and remember.

©2017 Francis DiClemente
(Sidewalk Stories, Kelsay Books)

Standard

Bag in the Breeze

Photo by Kate Ter Haar (via Flickr).

Bag in the Breeze

Thursday morning, 9:47 a.m.
White airy clouds
painted against a pale blue sky.
Whipping sounds like
baseball cards spinning in bicycle spokes
call out to pedestrians
moving on the salt-crusted sidewalk.
A medical helicopter zips overhead.
You look up as it flies out of sight.
And with your head still raised,
you spot a plastic shopping bag
tangled on a leafless branch,
stuck at the top of a tree,
flapping in the breeze.
The bag waves its white flag
in an overture of surrender,
hinting at submission to the chill of winter,
while struggling to break loose,
straining to be released,
and waiting for a new wind to set it free.

©2017 Francis DiClemente
(Sidewalk Stories, Kelsay Books)

Standard

The Hawk

Photo by Sarchia Khursheed.

The Hawk

With wings outstretched,
A hawk hovers overhead.
I look up, admiring its flight.
The bird remains aloft,
As a gust of air carries it along
In the stillness of the afternoon.
The hawk soars between the campus buildings,
Then disappears from my sight,
As it pursues a quarry or
Scans the horizon for a perch.

But “no,” I think:
That’s not the way to end the poem.
The lines fail to capture the
Majesty of this creature.
And I realize any words I write
Are doomed to fall short,
As poetry can never improve
What nature has made perfect.

Sidewalk Stories (Kelsay Books, 2017)

Standard

Winter Walk

Winter Walk

It takes one fall
on the icy sidewalk
for your life to be ruined.
That’s right, just one tumble—
arms flailing,
legs scissoring in the air,
back parallel to the ground,
eyes looking up at a gray sky
unable to intervene—
in a brief suspended
moment before wham—
skull meets ground and blackness ensues.
Traumatic brain injury follows,
and you slip into a coma.
Your family huddles bedside,
waiting for you to rouse,
to wake up and rejoin the living,
like a grizzly bear stepping out
of its den after hibernation.
If you do come out of it
with some brain activity intact,
you may be a shell—withering
in a long-term nursing home.
And while you exist inside,
the costs mount for your family,
and the world outside your window
drags on, unaware of your predicament.
All this because some ice tripped you up.
So don’t be surprised if you see me
walking gingerly on the
glassy surface of the sidewalk,
digging my heels into a
pile of rock salt near the curb,
spreading it around on my soles,
strapping on a pair of
Yaktrax over my boots,
or cutting across the snow-covered lawns.
I guess I don’t mind dying,
or being knocked unconscious,
but I would feel awfully foolish
if a patch of frozen moisture does me in.

Sidewalk Stories (Kelsay Books, 2017)

Standard

Snow Poem

Snow on Branches. Photo by Francis DiClemente.

I wrote this poem recently and it seems fitting for a day dominated by a lake effect blast.

How to Survive Winter in Syracuse

The only way to survive
a Syracuse winter
is to think of the snow
as a friend and not a foe.
When you scrape the ice
crusted on your windshield
and the snow clogs the streets,
when your tires spin,
or your car veers off the road—
regarding the snow
as a friend and not a foe
will help you to endure the season.
Even when the snow lashes
your face as it blows sideways,
or frozen clumps melt inside your boots,
making your feet cold and damp,
you must remember to
view the snow as a friend instead of a foe.
And what a friend … a friend that keeps on
giving and giving and giving
six months out of the year.
To which I say:
thank you my dear friend,
but I don’t need your generosity.

Standard

A Poem for December

While I dread it, the start of December means there’s no denying that winter is upon us. And with colder temperatures and lake effect snow forecast for Central New York within the next couple of weeks, I wanted to share a winter-themed poem, inspired by some scenery I encounter when I walk near the Genesee Grande Hotel in Syracuse.

Winterized

Cedar hedges wrapped in burlap,
awaiting winter’s bite,
like a family of mummies
snug in their tombs,
but poised to shake off the fabric
and reach for the sun
when the warmth of spring resumes.

©2017 Francis DiClemente
(Sidewalk Stories, Kelsay Books)

Standard

A Monday Kind of Poem

I’ve been reading another collection of poetry by Charles Bukowski that I borrowed from the library. I’m up to page 138 in What Matters Most is How Well You Walk Through the Fire, and I came across a poem Sunday evening that seems fitting for the resumption of work following a long holiday weekend.

This little verse by Buk offers inspiration to reset one’s focus and seems to urge readers to value each day above everything else.

Here it is:

This Moment

it’s a farce, the great actors, the great poets, the great
statesmen, the great painters, the great composers, the
great loves,
it’s a farce, a farce, a farce,
history and the recording of it,
forget it, forget it.

you must begin all over again.
throw all that out.
all of them out

you are alone with now.

look at you fingernails.
touch your nose.

begin.

the day flings itself upon
you.

Bukowski, Charles. What Matters Most is How Well You Walk Through the Fire.
New York: Ecco; First Edition, 2002.

Standard

Book Giveaways

Just a quick post to share some information about my latest poetry book, Sidewalk Stories, published by Kelsay Books. I have set up two giveaways: one on Amazon and one on Goodreads. No purchase is necessary. Best of luck if you decide to enter!

Standard

Two Great Ladies of Verse

I finished reading two books recently by two female poets from the past. I had always wanted to read something by the 20th century writer Dorothy Parker, so I took out The Portable Dorothy Parker from the library. At the same time, I was reading Poems by Emily Dickinson, Three Series, Complete using the Kindle app on my iPad mini.

Parker, a member of the famed Algonquin Round Table, a group of writers who met at the Algonquin Hotel in New York City in the 1920s, was noted for her acerbic wit, cosmopolitan-themed short stories that rely on dialogue to carry the plot and poetry punctuated by both humor and pathos.

Dorothy Parker

Dorothy Parker

The Portable Dorothy Parker serves as a good introduction to the author’s work, as it contains a mix of poems, short stories, book reviews and theater criticism. The stories feel dated to the time period Parker lived, but two stories, Big Blonde and A Telephone Call, are worth checking out.

I also felt a pang of sadness when reading this line in Parker’s New York Times obituary: “Miss Parker left no survivors.” No human survivors—but she did leave behind a lot of written material to explore.

The Portable Dorothy Parker

The Portable Dorothy Parker

In both collections, Parker and Dickinson give us little gems in verse form focusing on weighty themes like life, death and love, along with observations on a myriad of other subjects.

These brief poems—gleaming verbal diamonds—carry an authentic voice and pack emotional truth, and both women knew how to play with language in such a way as to delight readers.

I picked through both volumes and selected some short poems worth sharing. They can be consumed in small bites, such as while riding public transportation or waiting in the grocery store checkout aisle.

From The Portable Dorothy Parker:

The Small Hours

No more my little song comes back;
And now of nights I lay
My head on down, to watch the black
And wait the unfailing gray.

Oh, sad are winter nights, and slow;
And sad’s a song that’s dumb;
And sad it is to lie and know
Another dawn will come.

Godspeed

Oh, seek, my love, your newer way;
I’ll not be left in sorrow.
So long as I have yesterday,
Go take your damned tomorrow!

The Thin Edge

With you, my heart is quiet here,
And all my thoughts are cool as rain.
I sit and let the shifting year
Go by before the windowpane,
And reach my hand to yours, my dear . . .
I wonder what it’s like in Spain.

Experience

Some men break your heart in two,
Some men fawn and flatter,
Some men never look at you;
And that cleans up the matter.

My Own

Then let them point my every tear,
And let them mock and moan;
Another week, another year,
And I’ll be with my own

Who slumber now by night and day
In fields of level brown;
Whose hearts within their breasts were clay
Before they laid them down.

Two-Volume Novel

The sun’s gone dim, and
The moon’s turned black;
For I loved him, and
He didn’t love back.

Rhyme Against Living

If wild my breast and sore my pride,
I bask in dreams of suicide;
If cool my heart and high my head,
I think, “How lucky are the dead!”

News Item

Men seldom make passes
At girls who wear glasses.

And lastly, the following is one of my all-time favorite poems (right up there with Paul Laurence Dunbar’s We Wear the Mask and Richard Cory by Edwin Arlington Robinson), and Parker’s piece could be considered a companion poem or a bookend to Langston Hughes’ Suicide’s Note.

Resumé

Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren’t lawful;
Nooses give;
Gas smells awful;
You might as well live.

Parker, Dorothy. The Portable Dorothy Parker (Revised and Enlarged Edition). New York: Penguin Books, 1976. Print.

Emily Dickinson

Emily Dickinson

And here are the selections from Poems by Emily Dickinson, Three Series, Complete:

The Mystery of Pain

Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.

It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.

With a Flower

I hide myself within my flower,
That wearing on your breast,
You, unsuspecting, wear me too—
And angels know the rest.

I hide myself within my flower,
That, fading from your vase,
You, unsuspecting, feel for me
Almost a loneliness.

I’m Nobody! Who are you?

I’m nobody! Who are you?
Are you nobody, too?
Then there’s a pair of us—don’t tell!
They’d banish us, you know.

How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!

Simplicity

How happy is the little stone
That rambles in the road alone,
And doesn’t care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity.

A Word

A word is dead
When it is said,
Some say.
I say it just
Begins to live
That day.

The Inevitable

While I was fearing it, it came,
But came with less of fear,
Because that fearing it so long
Had almost made it dear.
There is a fitting a dismay,
A fitting a despair.
’Tis harder knowing it is due,
Than knowing it is here.
The trying on the utmost,
The morning it is new,
Is terribler than wearing it
A whole existence through.

Lost Faith

To lose one’s faith surpasses
The loss of an estate,
Because estates can be
Replenished, — faith cannot.

Inherited with life,
Belief but once can be;
Annihilate a single clause,
And Being’s beggary.

A Book

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!

Love

Love is anterior to life,
Posterior to death,
Initial of creation, and
The exponent of breath.

Dickinson, Emily. Poems by Emily Dickinson, Three Series, Complete. Kindle Edition.

 

Standard