Cue the Vince Guaraldi Music

Stoic Slanting Tree

A small tree on a hill
overlooking East Syracuse
leans and tilts but does not topple—
remaining unperturbed
as it wrestles daily
with the forces of gravity.
How many more days
will it stay upright?

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Thanksgiving Poem

Here is a short poem for Thanksgiving. I found it while transcribing some journals for a work-in-progress memoir project.

November 25, 2004 (Thanksgiving)

I exist.
I endure.
I survive.
I go on, for now,
bathed in the light.
That’s something
to be thankful for.

Toledo Trees by Francis DiClemente.

 

 

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Book Sighting

It’s always a thrill when I see one of my books hanging out in a library. Last week, while working a B-roll shoot at Bird Library at Syracuse University, I found my latest book, Poecabulary, residing in this section. I’m SU staff, not faculty or alumni, but it was exciting to find one of my books in physical form resting on a shelf, waiting to be discovered by a reader (or so one hopes).

Bird Library at Syracuse University.

Poecabulary at Bird Library.

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Hallowed Verse

1.

Halloween on Lamphear Road (1970s)

Blackness shrouds the land
between the houses on a
long stretch of rural road
in Rome, New York.

You and your best friend, Billy,
are shining flashlights
as you go trick-or-treating
on a Halloween night.
The smells of cow manure,
burning leaves and ripe apples
permeate the air.

You and Billy walk briskly
along the edge of the road,
chattering about sports,
movies and girls—
trying not to express
the terror you both feel as you
navigate the darkness.

You fear a witch, a ghost
or another malevolent force
will emerge from the adjacent fields,
snatch you and fly away.

You tell yourself to calm down
and keep walking—you are safe
and there’s nothing to be afraid of
on this country road.
And all you have to do is make it
to the next house, the next doorbell,
and the next fun-size Snickers bar.

2. 

Halloween Screening

You can’t fault
Frankenstein’s creature
For what he became.

He never had a choice.
He didn’t ask to be born.
He didn’t seek existence.

With an abnormal brain
And cobbled parts,
He can’t be blamed for
The terror he unleashed.

He was only acting
According to his nature.
The real monster here
Is the man who
Created the creature.

The Truth I Must Invent (Poets Choice, 2023)

3. 

In Need of Houdini

You are wrapped in chains
and stuffed in a metal chest.
The key has been discarded
and the box dumped
into the ocean.

You can’t stretch your legs
or flap your arms,
and you’re stuck in the box—
unable to lift the latch
and swim free.

How long can you
hold your breath?

Outward Arrangements: Poems (independently published, 2021)

4. 

Hike

The trees are haunted with ten-thousand eyes,
hanging in the place where leaves should be—
the remains of those who came this way before,
but did not survive in the forest.

They study me as I hike along the path,
searching for an opening to the other side.
I grow weary and stop to rest.

And then ten-thousand eyes blink in unison.
It seems like a signal.
And as I look around,
buzzards and crows fly at me,
then peck away at the flesh.
I fall to the ground and
the birds snatch pieces of me
as they take off in flight.

Sidewalk Stories (Kelsay Books, 2017)

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Seasonal Verse

Fall in upstate New York is a season of heightened senses as nature produces its splendid display of vibrant colors. For me, autumn is a time of reflection, often inspiring me to write poetry.

Einhorn Family Walk at Syracuse University. Photo by Francis DiClemente.

Here are some fall-themed selections.

Stadium Nights

Friday nights in Central New York,
crumpling leaves of bursting gold
and breathing in the October cold
as a pigskin spirals tight
and shadows collide under stadium lights.

Small town pride surges like an offensive line,
bursting open a gaping hole,
springing the halfback
en route to the chalk-lined goal.
And fathers perched in the stands
holler until hoarse and reminisce
about the glory days, when they wore the jerseys—
bloodied and mud-caked—
and walked with shoulders back,
receiving cheers as Friday night gladiators.

Under the bleachers, first-time kisses
are punctuated with quivers and giggles
in between swigs of peppermint schnapps.
Holding hands means everything,
and halftime comes far too quick.
The curfew looms as the scoreboard clock winds down.
Just five more minutes you say,
then head home grudgingly.

Dreaming of Lemon Trees: Selected Poems by Francis DiClemente (Finishing Line Press, 2019)

Autumn Acknowledgment

On this glorious autumn day—
with bright sunshine, blue skies
and refulgent orange, red and golden leaves
shimmering on the trees—
I am not thinking about
freezing temperatures and lake effect snow.
I know winter will come.
I know we cannot stave off
the inevitable despair that accompanies
the turn of the seasons.

But winter is not here yet.
So I will enjoy this fall weather
while I still have the chance—
while the green grass remains uncovered
and while the warm sunshine lasts,
at least for another day.

Falling Leaf

The golden maple leaf
fell to the ground
in front of my feet,
making a slapping sound.
It greeted me
on this frosty November morning,
reminding me that one day
I too will lie on the ground,
and others will pass by
without stopping
or looking down.

Sidewalk Stories by Francis DiClemente (Kelsay Books, 2017).

The Last Leaf

The last maple leaf
did not want to leave the tree,
even though his mother
told him it was time to go,
time to break free from the limb
and fall to the ground.

The little leaf said,
“Why, why must I leave
when I can still cling to this tree?”

“Because,” his mother replied,
“it’s part of life, the cycle of nature—
we drop to the ground during fall
and return in the spring.
So come on, let go.”

“I will not. I will not,” the little leaf said.

But a stiff wind stirred and the leaf
lost his grip and twirled to the earth,
falling into his mother’s grasp.

“See, that’s not so bad, is it?” his mother said.
“No Mom,” the little leaf said.
But then he asked, “Mom, am I still a leaf
if I’m no longer connected to the tree?”

Outward Arrangements: Poems by Francis DiClemente (independently published, 2021).

And I’ll wrap up with a poem by Rainer Maria Rilke.

October Day

Oh Lord, it is time, it’s time. It was a great summer.
Lay your shadow on the sundials,
and on the open fields let the winds go!

Give the tardy fruits the hint to fill;
give them two more Mediterranean days,
drive them on into their greatness, and press
the final sweetness into the heavy wine.

Whoever has no house by now will not build.
Whoever is alone now will remain alone,
will wait up, read, write long letters,
and walk along sidewalks under large tress,
not going home, as the leaves fall and blow away.

Selected Poems of Rainer Maria Rilke. Translated and with commentary by Robert Bly. New York: Harper Perennial, 1981.

 

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Poecabulary Add Ons

For people in the Syracuse area, I’ll be doing a poetry reading and film screening this Saturday, Oct. 4., at 5 p.m. at Parthenon Books on Salina Street.

Poecabulary front cover.

I’ll talk about the genesis and evolution of my minimalistic book project Poecabulary and then screen the documentary short Ralph Rotella: The Sole of Syracuse, co-directed by my former Syracuse University colleague Shane Johnson.

Ralph’s work bench. Photo Credit: Shane Johnson.

And speaking about Poecabulary, the book was released about three months ago. In preparing for the upcoming talk, I thought about a couple of questions I would like audience members (and you as well) to ponder: Do two words on a page constitute poetry? And can Poecabulary be considered an actual book, a real poetry collection?

And even though I succeeded in spitting these vocabulary words out of my system, I can’t stop writing down other word pairings. It’s a ceaseless literary project and an incurable disease.

So here are some other combinations that have emerged since the book’s publication in June.

Alfresco
Alfredo

Adversary
Anniversary

Ample
Amble

Below
Bowel

Cancel
Cancer

Death
Dearth

Density
Destiny

Erotic
Erratic

Fruitful
Futile

Garret
Garrote

Harass
Harness

Honor
Horror

Impotent
Important

Inventive
Invective

Manic
Magic

Monetary
Monitory

Parish
Perish

Passivity
Positivity

Revel
Revile

Share
Shame

Soap
Soup

Spared
Speared

Tragedy
Trajectory

Uncoupled
Uncounted

Vitreous
Virtuous

Wallet
Walleye

Widow
Window

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Rilke on Autumn

Two poems for fall by Rainer Maria Rilke.

Autumn

The leaves fall, fall as from far,
Like distant gardens withered in the heavens;
They fall with slow and lingering descent.

And in the nights the heavy Earth, too, falls
From out the stars into the Solitude.

Thus all doth fall. This hand of mine must fall
And lo! the other one:—it is the law.
But there is One who holds this falling
Infinitely softly in His hands.

Rainer Maria Rilke.

Day in Autumn

After the summer’s yield, Lord, it is time
to let your shadow lengthen on the sundials
and in the pastures let the rough winds fly.

As for the final fruits, coax them to roundness.
Direct on them two days of warmer light
to hale them golden toward their term, and harry
the last few drops of sweetness through the wine.

Whoever’s homeless now, will build no shelter;
who lives alone will live indefinitely so,
waking up to read a little, draft long letters,
and, along the city’s avenues,
fitfully wander, when the wild leaves loosen.

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Some Days

Some Days

Some days I love my life.
Some days I hate my life.
But I’m thankful for every day
I receive the gift of having
A life to complain about.

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Praise for Poecabulary

I’m not a fan of the promotional aspect of writing, but I want to share this positive review of Poecabulary because the Reedsy Discovery reviewer, Stephen Dudas, summarized exactly what I was trying to achieve with my wacky experimental book project. Nearly all of the time, I’m tossing words in the dark, hoping they find their way to readers. So it’s nice, and rare, when my stray verbal arrows hit the mark.

Poecabulary front cover.

Some of my favorite pull quotes:.

“Francis DiClemente’s Poecabulary is a stunning example of that now all-too-rare book in our contemporary poetry landscape: a genuine, focused experiment with specific elements of the English language.

“… Poecabulary is fully intended as a collaborative experience (all reading is, of course, but collaboration is at the forefront of this particular collection). To read the collection is to be brought into a creative and intellectual game. What is similar? What is different? What does one word mean to the other? What arguments, stories, commentaries, dreams, songs, etc. might spin out from where these words meet?

Poecabulary does what any good poetry collection should—it offers itself up as the site of interactive play between a poet’s invitation and a reader’s interpretation.”

—Reviewed by Stephen Dudas, Reedsy Discovery

 

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