Bocce and Burial

I am following up on my previous bocce documentary distribution post. Our film, The World Series of Bocce: A Celebration of Sport, Family and Community, was screened on Saturday, May 18 at Capitol Cinema in Rome as part of a Local Short Film Showcase. My family, co-producer Bill Vinci and editor Mary Kasprzyk attended the event.

From L to R: Francis DiClemente, Bill Vinci and Mary Kasprzyk.

That same day, in the morning, the cremated remains of my father were buried in St. Peter’s Cemetery. My dad had passed away in 2007, but I only found out recently that the plot he had purchased many years ago remained under his name—meaning we could inter his ashes in the cemetery. My sister, Lisa, had kept them with her in Ohio for all these years.

There’s no headstone or grave marker to indicate where Francis Sr. now rests, but it’s a nice spot tucked in a green corner not far from the intersection of Herkimer Avenue and Cayuga Street. I’m sure he’d approve of the location, especially since it’s only a few hundred feet from his parents’ graves.

St. Peter’s Cemetery in Rome, NY.

Under gray skies, Father I. presided over the burial service, sprinkling holy water while small, flying insects buzzed around us, my sister swatting them away.

Father I. said, “We are returning Francis. He stayed with you for a while, and now it’s time for him to rest. We know his spirit is already in heaven.”

Father I. then said the most consoling words I’ve ever heard at a wake, funeral or memorial service: “When you see him again, he will not look old. He will not look young. He will just be. And you will know him, and he will know you.”

And just a final note. The documentary will make its broadcast premiere on WCNY on July 11. But you can watch it for free now through the PBS app.

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Gifting Books

I hate writing book promotion posts. But this is just a reminder that books make nice holiday gifts and they’re easy to wrap. My latest poetry collection, The Truth I Must Invent, can be purchased in numerous places. You can find it on Amazon, Barnes & Noble, and Bookshop. It’s also available from the publisher, Poets’ Choice. And a new author profile has been posted on the Poets’ Choice website. Happy holidays everyone.

The Truth I Must Invent book cover.

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Taking Ralph on the Road

I’m happy to announce that my indie documentary short Ralph Rotella: The Sole of Syracuse, co-directed by my Syracuse University colleague Shane Johnson, is an official selection of the 2023 Culver City Film Festival.

The film will be screened in the 2 p.m. block on Monday, Dec. 4 at Cinemark 18 and XD, 6081 Center Drive in  Los Angeles.

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Ralph Rotella: The Sole of Syracuse

I’m happy to announce that my indie documentary short Ralph Rotella: The Sole of Syracuse, co-directed by my talented Syracuse University colleague Shane Johnson, will premiere at the Redhouse on Friday afternoon as an official entry of the Syracuse International Film Festival.

As many people in Central New York already know, Ralph is an amazing character with a generous heart, and it was a blast learning more about him.

After walking past his shop almost every day for the past few years, I felt compelled to go inside and talk to him. Inspired by Studs Terkel’s book Working, I wanted to do a mini doc to answer two questions: 1) Do people still get their shoes repaired in the 21st century 2) Can this man actually earn a living through shoe repair alone (taking into account the high cost of a downtown office building lease)? Or does he need an alternate income to survive?

Ralph Rotella hammering a heel. Photo Credit: Shane Johnson.

Ralph was a tough interview, and it was a challenge stringing together a narrative based on his terse sound bites, quips, and comedic digressions. And the film I thought I was making turned into something slightly different. But that’s the beauty of documentary filmmaking; if you take the time to pay attention to your subject, the story will reveal itself to you.

Photo Credit: Shane Johnson.

And through Shane’s fine cinematography—as we observed a “day in the life” of the shop, cinema verité style—we captured authentic personal moments that illustrate the bond Ralph shares with his customers on a daily basis.

This is Ralph’s work bench. It’s my favorite frame from the film. Photo Credit: Shane Johnson.

And here’s a little teaser we prepared in anticipation of the premiere.

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WSB Documentary Teaser

The 48th annual World Series of Bocce kicks off today at the Toccolana Club in my hometown of Rome, New York. In celebration of the opening of the tournament, I want to share a teaser for our indie, work-in-progress documentary that hopefully captures the history, spirit, intense competition, and community impact of the WSB.

My lifelong friend and co-producer Bill Vinci and I had talked for many years about doing a documentary on the WSB. And I’m excited because I can see the light at the end of the tunnel as I work with award-winning editor Mary Kasprzyk (my colleague at SU) to complete a project fraught with problems.

A little backstory. As producer/director, I received a Russo Brothers Italian American Film Forum production grant in April of 2020. A special “thank you” to the National Italian American Foundation (NIAF), the Italian Sons and Daughters of America (ISDA), the Russo Brothers, and AGBO.

However, COVID intervened, and the cancellation of the WSB in 2020 and 2021 prohibited us from capturing on-scene interviews and tournament B-roll footage. Then, after filming was completed at last year’s event, a post-production quagmire threatened to terminate the project. Now the doc is back on track and in the trusted hands of Mary K. We’re hoping to complete a roughly 15 to 20-minute documentary short before the end of the year. The working title is The World Series of Bocce: A Celebration of Sport, Family and Community.

Here are a few “producing” lessons I learned along the way. One: I know cloud storage is more reliable, but I still believe media should be backed up on multiple external hard drives stored in different locations. Transferring all the raw footage shot last summer to a $150 hard drive literally saved this project. Two: In working within tight budget constraints, you must accept your limitations—reconciling the disparity between the film you envision and the film you can actually produce. Three: the most valuable currency in indie film production is the relationships you make with your collaborators. There’s no substitute for working with people you know and trust and who are committed to their craft and the successful outcome of a project.

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