Inspired by Vincent

I am continuing to work my way through the book The Letters of Vincent Van Gogh. I am reading it from beginning to end, but I haven’t been consistent with reading it on a daily basis.

The Letters of Vincent Van Gogh, Penguin Classics.

Yesterday I came across a passage worth sharing. To set it up: the time is July 1885, a few months after Vincent painted his master work depicting peasant life—The Potato Eaters (April 1885).

The Potato Eaters by Vincent van Gogh (1885).

However, Vincent is still having trouble selling his work and his financial situation appears bleak. He writes to his brother Theo:

“I find myself faced with the necessity of being that most disagreeable of people, in other words of having to ask for money. And since I don’t think that sales will pick up in the next few days, the situation seems rather dire. But I put it to you, isn’t it better for both of us, après tout (after all), to work hard, no matter what problems that may entail, than to sit around philosophizing at a time like this?

I can’t foretell the future, Theo—but I do know the eternal law that all things change. Think back 10 years, and things were different, the circumstances, the mood of the people, in short everything. And 10 years hence much is bound to have changed again. But what one does remains—and one does not easily regret having done it. The more active one is, the better, and I would sooner have a failure than sit idle and do nothing.”

Gogh, Vincent van, and Ronald. Leeuw. The Letters of Vincent Van Gogh. London: Allen Lane, Penguin Press, 1996. Print.

What inspires me about this passage is Vincent’s willingness to press on with his art, undeterred by his lack of success. The fire in him to create burns too intensely for him to abandon his avocation.

Standard

Wisdom from Vincent

This summer I am reading The Letters of Vincent Van Gogh. I had discovered the book when I was in graduate film school at American University in Washington, DC in the early 1990s. A woman from the Deep South who was pursuing her MFA in painting suggested I read it. It consists of letters Vincent wrote to his brother Theo, a Dutch art dealer.

The Letters of Vincent Van Gogh, Penguin Classics.

And although the book was written in the 19th century, Vincent’s words never seem dated. In fact, I could pull inspirational quotes from the book on a nightly basis, and if Vincent were alive today, he might be the host of a motivational podcast.

Through his words, we see that despite his financial, romantic, mental and emotional struggles, Vincent persevered, sacrificing everything to express his creativity and to paint works of art that will endure as long as humans walk the earth.

This passage is dated September 24, 1880. Vincent has made the decision to become a full-time artist and he addresses Theo with this opening line: “Your letter has done me good and I thank you for having written to me in the way you have.”

He describes some art studies he is working on based on prints and etchings that Theo had sent him.

He writes, “These studies are demanding & sometimes the books are extremely tedious, but I think all the same that it’s doing me good to study them.”

The following passage then caught my attention and stirred my heart:

“So you see that I am working away hard, though for the moment it is not yielding particularly gratifying results. But I have every hope that these thorns will bear white blossoms in due course & that these apparently fruitless struggles are nothing but labour pains. First the pain, then the joy.”

Gogh, Vincent van, and Ronald. Leeuw. The Letters of Vincent Van Gogh. London: Allen Lane, Penguin Press, 1996. Print.

The words inspired me because as someone who works full-time and writes in my off hours, I rarely see progress; I often get discouraged because I spend hours working on projects that are rejected in the end. But still I press on.

And Vincent’s words are universal—they could be applied to people attempting to achieve a dream, as well as to anyone trying to survive the challenges of every day. I think about artists, actors, singers, students, teachers, entrepreneurs, couples and parents.

And fortunately—for both Vincent and for art lovers around the world—Vincent’s white blossoms did bloom in later years.

Almond Blossom by Vincent Van Gogh, 1890

Standard