Thankful For A Mistake

On this Thanksgiving Day, I’m thankful for not always getting what I want. I know, it’s such a corny, trite statement, and you can probably hear a Keith Richards guitar line in the back of your mind, along with Mick Jagger starting to sing, “I saw her today at the reception …”

But it’s true. In this case—I’m thankful for a little bonsai tree I bought for my wife for Mother’s Day. I ordered a pink azalea bonsai from an online florist, only to have the tree arrive with no pink azaleas. It looked like a dull green house plant devoid of color, and it presented no surprise when my wife pulled it out of the box. An online chat failed to resolve the matter, meaning no replacement or refund, and I had to live with the bonsai.

But then a strange thing happened. I began to care for it—setting it on top of a windowsill, exposing its branches to sunlight, using a measuring cup every morning to pour a generous amount of water on the soil and splashing droplets of water on its leaves with my fingers.

My bonsai tree. Photo by Francis DiClemente.

I gave the plant daily positive reinforcement before placing it back in its spot—saying things like, “You’re doing good. We’re proud of you. We love you. You’re a member of the family.” I also breathed on it, hoping my exhalation of carbon dioxide would help sustain the plant.

And the tree remains alive today. This is quite a feat, considering I’m no plant person. I have no green thumb. I don’t spend my summers tending to a garden of tomatoes, beans and corn in a vast plot of land in my backyard. I’m an urban apartment dweller.

But I am proud that six months after Mother’s Day, the little bonsai is still going strong. I’m grateful that it adds a little life to my drab existence. And I do believe if the bonsai had come with blooming pink azaleas, it would have been tossed out in the trash a long time ago.

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Inspired by Signs of Spring

While taking a walk this morning, I saw a field of flowers in a small plot of land adjacent to the Syracuse Center of Excellence. Their appearance inspired a poem. And it’s yet another example of why I always carry a pocket notebook with me and a few ballpoint pens buried in my coat pockets. Fortunately, today there was enough ink in the old pen to write these words.

Yellow flowers.

Seasons

 
Hearing the sound
of my footsteps
on the sidewalk
of a deserted street
in Syracuse.

No one else around
except two teenagers
kicking a yellow
soccer ball
in a parking lot.
But I won’t report them
for not wearing masks
and failing to maintain
a six-foot distance.

Sunshine, cool air,
puffy white clouds,
budding trees and
bulbous flowers blooming
in canary yellow color.

There’s no denying
spring has arrived—
even here in
upstate New York.
But this year,
with coronavirus,
the chill of winter remains,
and April hasn’t
chased away
the shut-in feeling
of mid-February.

And I wonder,
will we be able
to celebrate spring
when summer gets here?
Or will coronavirus
postpone our fun
until autumn?

Yellow flowers, close-up.

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Wisdom from Vincent

This summer I am reading The Letters of Vincent Van Gogh. I had discovered the book when I was in graduate film school at American University in Washington, DC in the early 1990s. A woman from the Deep South who was pursuing her MFA in painting suggested I read it. It consists of letters Vincent wrote to his brother Theo, a Dutch art dealer.

The Letters of Vincent Van Gogh, Penguin Classics.

And although the book was written in the 19th century, Vincent’s words never seem dated. In fact, I could pull inspirational quotes from the book on a nightly basis, and if Vincent were alive today, he might be the host of a motivational podcast.

Through his words, we see that despite his financial, romantic, mental and emotional struggles, Vincent persevered, sacrificing everything to express his creativity and to paint works of art that will endure as long as humans walk the earth.

This passage is dated September 24, 1880. Vincent has made the decision to become a full-time artist and he addresses Theo with this opening line: “Your letter has done me good and I thank you for having written to me in the way you have.”

He describes some art studies he is working on based on prints and etchings that Theo had sent him.

He writes, “These studies are demanding & sometimes the books are extremely tedious, but I think all the same that it’s doing me good to study them.”

The following passage then caught my attention and stirred my heart:

“So you see that I am working away hard, though for the moment it is not yielding particularly gratifying results. But I have every hope that these thorns will bear white blossoms in due course & that these apparently fruitless struggles are nothing but labour pains. First the pain, then the joy.”

Gogh, Vincent van, and Ronald. Leeuw. The Letters of Vincent Van Gogh. London: Allen Lane, Penguin Press, 1996. Print.

The words inspired me because as someone who works full-time and writes in my off hours, I rarely see progress; I often get discouraged because I spend hours working on projects that are rejected in the end. But still I press on.

And Vincent’s words are universal—they could be applied to people attempting to achieve a dream, as well as to anyone trying to survive the challenges of every day. I think about artists, actors, singers, students, teachers, entrepreneurs, couples and parents.

And fortunately—for both Vincent and for art lovers around the world—Vincent’s white blossoms did bloom in later years.

Almond Blossom by Vincent Van Gogh, 1890

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Vincent in the Waiting Room

While waiting for an MRI on my left wrist at Upstate University Hospital, as a follow up for my rheumatoid arthritis, I spotted a cheap Van Gogh print hanging on a wall directly opposite from me. The image displayed was Vincent’s Irises (1889), and the text read:

Van Gogh in Saint-Remy and Auvers
The Metropolitan Museum of Art
November 25, 1986-March 22, 1987

Inside the small waiting room, on a wall-mounted TV set, local broadcasters recited the morning headlines and a meteorologist gave the weekend forecast. I paid little attention, instead choosing to focus my eyes on the Van Gogh painting. From far across the room, and taking my weak eyesight into consideration, the slanted vertical green leaves looked like snakes writhing in the dirt; even so, the longer I stared at the image, the calmer I felt. The one word that came to my mind was placid.

Van Gogh print hanging on a waiting room wall.

I don’t meditate, but I have discovered that good art, like classical music, has a way of centering my thoughts and ushering a sense of peace in difficult and stressful situations. And even a minor MRI can start the brain working on all of the “what if,” worst-case scenarios. So I was thankful that Vincent spent a little time with me in the hospital waiting room before my procedure.

Here’s a better image of the painting.

Irises by Vincent Van Gogh, 1889. J. Paul Getty Museum, Los Angeles, California.

And after I left the hospital, inspired by Vincent, I captured my own “still life” image.

Flowers/Flora outside of Upstate.

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