It’s been over a month since I’ve posted anything on the blog. I’ve been inundated at my day job and working on some long-term writing projects in my off hours—plugging away in the messy, first-draft stage.
And in reviewing some old poems recently, I found a few that are my favorites. I thought I would share them.
They’re not the best poems in the world. I have no inflated sense about their worth.
But I love them because they were delivered to me almost in complete form, needing little revision. Instead of writing the poems, I merely served as a portal through which they could be born.

Phoenix landscape.
The first one I wrote under my carport in the parking lot at my apartment complex in Phoenix, Arizona (sometime between 1998 and 2001). I had been out driving late at night with the windows open, looking at the stars, smelling the desert sage, and listening to “Terrapin Station” by the Grateful Dead.
And these words came to me as I shut off the engine. I changed only two lines slightly in the final version.
Revelation (final)
A courtship of contempt,
filled with swirling fury and churning angst,
not halted by the hands of God.
Zealous rituals express unwavering faith,
and outstretched arms set hearts aflame.
Trees topple under a crescent moon—
a gleaming scythe that carves the frost-burnt night,
invoking stones to crush the gnarled root,
as fragments of identity rupture
into paralyzing self-hate.
Revelation (rough)
A courtship of contempt,
filled with swirling fury and churning angst,
not halted by the hands of God.
Zealous rituals express unwavering faith,
and outstretched arms set hearts aflame.
Trees topple under a crescent moon—
a gleaming scythe that carves the frost-burnt night,
invoking stones to crush the gnarled root,
as fragments of salvation disintegrate
into insurmountable self-hate.
Three other poems from that same Phoenix period follow. “Side Dish” emerged from one my evening walks before heading to work as a night shift news editor.
Inaudible Expression
A great sigh emitted,
arising and then dissipating,
but remaining forever unheard,
the echo of a soul reverberating,
in resignation of the inexorable.
The Feast of Life
Swallow the anguish.
Extract the juice
of this bitter fruit,
and expel the residue
upon the already
splattered canvas.
Side Dish
A mundane scene of modern living
played out one evening
while I walked along Ninth Street
near East Grovers Avenue in north Phoenix.
I heard the sound of a sliding glass door
opening from behind a retaining wall
running parallel to the sidewalk.
And although I had
no intention of eavesdropping,
I then overheard a woman call out:
“And now the great vegetable debate, green beans or corn?”
The question evoked a few seconds of silence,
followed by a man’s reply:
“Uh . . . both,” he said.
And as I turned the corner,
heading up the next block,
I was tempted to stop and ask the couple,
“Hey, what else is for dinner?”
The last poem popped into my head while driving eastbound on the New York State Thruway between Syracuse and Rome (sometime between 2006 and 2008).
Departure
Vagabond bones creakin’ down the road,
bound for somewhere in between,
a home-sweet-home dissenter,
relishing the unknown.









