Resplendent Vincent

In taking out the garbage this afternoon, I snapped a picture of a tree in bloom set against the blue sky, and the beauty of nature reminded me of an entry from The Letters of Vincent van Gogh.

Tree in bloom. Not the greatest picture, but it does capture the glory of spring.

I started reading this 500-page-plus book about a year ago, and I still have about 100 pages left to go before I finish it. I skim a few passages at a time, and for me the book is similar to the Bible—in that I can close my eyes, open it up at random, point my finger to a page and start reading. There’s no plot you need to follow, and you don’t have to read Vincent’s letters in sequential order. In the Bible, I discover Christ at random in the action scenes of the New Testament. Vincent’s collection reveals the artist’s creative progress and his struggle to connect with other people.

In this entry to his brother Theo, dated September 17, 1888, Vincent is working in Arles in southern France, where he has set up his Yellow House. He describes being inspired by the scenery.

The Yellow House (The Street), Vincent van Gogh, September 1888 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

“You see, I have never had such luck before, nature here is extraordinarily beautiful. Everything and everywhere. The dome of the sky is a wonderful blue, the sun has rays of a pale sulphur, and it is as soft and delightful as the combination of heavenly blues and yellows in Vermeer of Delft. I cannot paint as beautifully, but it absorbs me so much that I let myself go without giving thought to a single rule.”

Gogh, Vincent van, and Ronald. Leeuw. The Letters of Vincent van Gogh. London: Allen Lane, Penguin Press, 1996. Print.

Passage from The Letters of Vincent van Gogh.

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