Backyard Forest

Since the warm weather has come to upstate New York, I wanted to share a poem that seems fitting for a season of humid nights, swaying trees and buzzing insects.

Photo by Luke Palmer

Enchanted Forest

When I was a young boy,
I dreamed of a forest for a backyard.
I wanted to open the sliding glass door
on the bottom floor of our raised ranch home
and step outside, entering a tract of land
with acres and acres of evergreen and deciduous trees.
No neatly trimmed lawn, no tool shed,
no swimming pool or garden with basil and tomato plants.

I longed for a secret place I could run to and get lost in,
the green canopy shimmering above me
as my feet struck a rocky path
leading deep into the woods.
A place where I could be still and quiet
and make friends with forest companions.

I created this place in my mind so the cacophony
of screeching woodland birds and hissing insects
would muffle the sound of my parents
screaming on the other side of the drywall.
That’s what I wished for at night,
while closing my eyes and trying not to hear
the yelling coming from the next room.

And when I couldn’t fall asleep, I’d pull myself up,
part the navy blue, sailboat-adorned curtains
and look outside my bedroom window,
where, to my dismay, I would see nothing
but a plot of green grass in our backyard.

Photo by Lum3n.

Standard

Resplendent Vincent

In taking out the garbage this afternoon, I snapped a picture of a tree in bloom set against the blue sky, and the beauty of nature reminded me of an entry from The Letters of Vincent van Gogh.

Tree in bloom. Not the greatest picture, but it does capture the glory of spring.

I started reading this 500-page-plus book about a year ago, and I still have about 100 pages left to go before I finish it. I skim a few passages at a time, and for me the book is similar to the Bible—in that I can close my eyes, open it up at random, point my finger to a page and start reading. There’s no plot you need to follow, and you don’t have to read Vincent’s letters in sequential order. In the Bible, I discover Christ at random in the action scenes of the New Testament. Vincent’s collection reveals the artist’s creative progress and his struggle to connect with other people.

In this entry to his brother Theo, dated September 17, 1888, Vincent is working in Arles in southern France, where he has set up his Yellow House. He describes being inspired by the scenery.

The Yellow House (The Street), Vincent van Gogh, September 1888 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

“You see, I have never had such luck before, nature here is extraordinarily beautiful. Everything and everywhere. The dome of the sky is a wonderful blue, the sun has rays of a pale sulphur, and it is as soft and delightful as the combination of heavenly blues and yellows in Vermeer of Delft. I cannot paint as beautifully, but it absorbs me so much that I let myself go without giving thought to a single rule.”

Gogh, Vincent van, and Ronald. Leeuw. The Letters of Vincent van Gogh. London: Allen Lane, Penguin Press, 1996. Print.

Passage from The Letters of Vincent van Gogh.

Standard