Ralph Rotella: The Sole of Syracuse

Our documentary short Ralph Rotella: The Sole of Syracuse has completed its festival run and is now available for viewing on YouTube.

Logline: Ralph Rotella plies the craft of shoe repair while offering kindness and a sense of community to his customers and the residents of Syracuse, New York.

Since emigrating to the U.S. from Italy in the 1970s, Rotella has owned Discount Shoe Repair in downtown Syracuse. Each day he opens the store, fixes shoes, works with his hands using antiquated equipment, and converses with customers. In his daily interactions with people, Rotella reveals himself to be a witty, beatific figure who draws people to himself, building a sense of community with his shoe repair shop as a hive of activity. The film examines the value of work and what constitutes happiness, while also honoring an unsung hero in the Central New York community.

Photo Credit: Shane Johnson

Credits, Awards and Festivals:

Directed by Francis DiClemente and Shane Johnson
Produced by Francis DiClemente
Cinematography and Editing by Shane Johnson

Ralph’s work bench. Photo Credit: Shane Johnson.

Awards:

Winner: Best Director, Short Films
New York Documentary Film Awards (2024)

Gold Remi Award in Film & Video Productions, sub-category Community
57th WorldFest-Houston International Film Festival (2024)

Film Festivals:

New York Documentary Film Awards
NewFilmmakers NY, Spring 2024 Screening Series
57th WorldFest-Houston International Film Festival
Culver City Film Festival
Syracuse International Film Festival

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At the Bus Stop

A woman with scraggly red hair approaches me at the bus stop near the corner of Washington and Warren streets in Syracuse. She’s dressed in a thin flannel shirt, sweatpants, and sneakers. In a soft voice, she asks, “Do you have a cigarette and a dollar?”

“What?” I ask. I could barely hear her.

“Do you have a cigarette and a dollar?” she repeats.

I don’t smoke, and although I had some dollars in my wallet, I said, “No.”

I didn’t want to remove my gloves because of the cold, and I need the singles for bus fare.

“God bless you, honey,” she said, then walked toward the edge of the curb, paused to look around, and crossed the street, shuffling ahead of the traffic that had the right of way.

I wanted to cross the intersection, chase after her, yank out my wallet, and give her a dollar, but my feet remained planted on the sidewalk as guilt and shame washed over me.

At that moment, selfishness prevailed over compassion. I ignored the woman’s plight and rejected an opportunity to offer kindness to another human being.

And while I can’t help the woman now, I hope awareness about my failure means I will do better the next time someone asks me for assistance.

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Ralph Rotella: The Sole of Syracuse

I’m happy to announce that my indie documentary short Ralph Rotella: The Sole of Syracuse, co-directed by my talented Syracuse University colleague Shane Johnson, will premiere at the Redhouse on Friday afternoon as an official entry of the Syracuse International Film Festival.

As many people in Central New York already know, Ralph is an amazing character with a generous heart, and it was a blast learning more about him.

After walking past his shop almost every day for the past few years, I felt compelled to go inside and talk to him. Inspired by Studs Terkel’s book Working, I wanted to do a mini doc to answer two questions: 1) Do people still get their shoes repaired in the 21st century 2) Can this man actually earn a living through shoe repair alone (taking into account the high cost of a downtown office building lease)? Or does he need an alternate income to survive?

Ralph Rotella hammering a heel. Photo Credit: Shane Johnson.

Ralph was a tough interview, and it was a challenge stringing together a narrative based on his terse sound bites, quips, and comedic digressions. And the film I thought I was making turned into something slightly different. But that’s the beauty of documentary filmmaking; if you take the time to pay attention to your subject, the story will reveal itself to you.

Photo Credit: Shane Johnson.

And through Shane’s fine cinematography—as we observed a “day in the life” of the shop, cinema verité style—we captured authentic personal moments that illustrate the bond Ralph shares with his customers on a daily basis.

This is Ralph’s work bench. It’s my favorite frame from the film. Photo Credit: Shane Johnson.

And here’s a little teaser we prepared in anticipation of the premiere.

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Urban Exploration

I had a morning eye doctor’s appointment earlier this week. And I had some time to kill before the dilation drops rendered my eyes useless for the rest of the day. After getting off the bus at Washington Street near City Hall, I cut across Montgomery Street while making my way to Presidential Plaza.

St. Paul’s Church. Photo by Francis DiClemente.

Brick wall with ivy. Photo by Francis DiClemente.

Along the way, I snapped a few photos with my antiquated, battery-challenged iPhone 8, jotted down a quick poem about some feathered denizens of the Salt City, and captured a moment of tranquility on a sunny morning downtown.

I felt grateful for the opportunity to capture a myriad of sights and sounds the universe sent my way. It was another reminder to always pay attention to my surroundings and be on the lookout for creative inspiration. Here’s the poem I wrote. It required significant revision as it made the transition from my pocket notebook to my computer.

Bird Chatter

Three pigeons
perched on a wire.

What are they
talking about
on this bright,
sunny morning?

But their conversation
is restricted—not for
human interpretation.

And the chatter ends
when the birds
lift from the wire,
taking off in formation,

flapping their wings,
and sending feathers
twirling to the ground.

 

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Walking Commuter Notes

MORNING

I walk to work almost every morning—following East Genesee Street toward downtown Syracuse. Before I leave my apartment building, I usually hang out with my wife Pam and son Colin while they wait for Colin’s school bus to arrive.

Today, underneath a gray sky spitting drizzle, Colin entertains himself by jumping up and down, flapping his hands and pulling his Paw Patrol mask down around his chin.

“Ah, put up your mask when you go on the bus and when you’re inside school,” Pam tells him. He listens and pulls up his mask. Colin is in kindergarten, and he has autism.

He’s dressed in sweatpants and a blue hooded sweat jacket. A maroon and navy blue Fila book bag—packed with the crunchy snacks he likes to eat—is slung over his shoulder.

When it’s time for me to break away, I remove my mask and plaster his face with a couple of quick kisses. Pam then says to Colin, “Ah, say goodbye to daddy.” When his eyes remain cast elsewhere, she holds his face gently and points it in my direction. She holds his hand and helps him to wave. “Come on now. Say bye-bye.”

“Bye-bye daddy,” he says with a clipped delivery.

“Good job,” Pam says.

I start walking on the sidewalk along Genesee, turning my head and waving toward my family, their figures looking tiny while standing under the green awning of the tan, brick building. I see his bus turning onto Genesee Street, and I pray that Colin will climb aboard safely, find his seat up front and remain in place while the bus accelerates.

Then a thought pops into my head. I don’t invite it, but it emerges anyway.

I think: This could be the last time I ever see my wife and son. I realize I am not invincible, that tragedy could strike at any moment and my loved ones could be taken away in an instant.

I look up to the clouds and try to shake the dark thought from my mind, turning my attention to work-related tasks I need to complete.

AFTERNOON

In the late afternoon, I leave the Nancy Cantor Warehouse in downtown Syracuse, walking in a steady rain along Washington Street. I cross State Street and then walk toward Fayette Street. I pass by a standpipe, and I continue on my way. But then I remember Fountain, the ready-made sculpture of a urinal by French artist Marcel Duchamp.

Marcel Duchamp’s 1917 sculpture Fountain.

I backtrack, pull out my iPhone and snap a few pictures—inspired by Duchamp’s iconic still life artwork.

According to Merriam-Webster, a standpipe is a “high vertical pipe or reservoir that is used to secure a uniform pressure in a water-supply system.” I’ve seen the term before, but I never knew the meaning. But I looked it up online as soon as I got home.

Syracuse Standpipe. Photo by Francis DiClemente.

And I guess that’s the beauty of a walking commute in a city—if you pay attention to your surroundings, you can discover things that other people might miss. It takes practice to heighten your senses and elevate your awareness. But as an urban explorer, if I am willing to pay close attention, it seems the universe is willing to reward me with satisfying visual stimuli. In my case, it makes the everyday extraordinary and the mundane magical (forgive the alliteration).

Here are some recent photos from my walking commute:

Squirrel on telephone pole. Photo by Francis DiClemente.

Chair tipped over. Photo by Francis DiClemente.

Fountain. Photo by Francis DiClemente.

Alley. Photo by Francis DiClemente.

University Block Building. Photo by Francis DiClemente.

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Been Away Too Long

I’ve been so tied up with work, family and long-range creative projects that I have neglected this blog for far too long. I haven’t posted anything since January—not that anyone is missing my content.

But during my Saturday morning jog/walk in downtown Syracuse, I snapped a photo and composed a short poem. To me both represent the ephemeral nature of life. If I had not stopped running on the sidewalk to take the picture or pull out my mini notebook and jot down the poem, the image and words would have been lost.

The sun would have shifted or shadows would have altered the light hitting the buildings and the words would have escaped my mind. A good reason to always carry a smartphone, a pen and a notebook. You never know when inspiration will strike.

Morning reflection. A George Costanza pinkish hue. Photo by Francis DiClemente.

Giving Up Admission

I can’t keep
it together.

I don’t have
the strength
to carry on.

Can I let go
and fall into
your arms?

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Office Chair at the Curb

Instagram Poem #10

Office Chair at the Curb. Photo by Francis DiClemente.

Office Chair at the Curb

An office chair
transplanted
to the curb.
I hope the worker
who occupied
the seat
was not
terminated.

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Message on a City Block

Instagram Poem #9

Photo by Francis DiClemente.

Message on a City Block

A note written on a flyer
posted outside a Dunkin’ Donuts store.

The words read:
“What About the Homeless In CNY??
Does Any One Care??”

The message provokes empathy
and a swelling of guilt,
since my answers to the questions
lack sufficient compassion.

Do I care? Yes I do.
Enough to do something about it?
Well, apparently not.

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Instagram Poems

I am doing a final edit on my next poetry manuscript, entitled Outward Arrangements, as I prepare for self-publishing. It’s a full-length collection of narrative, philosophical and observational poems written in free-verse style.

Several poems in one section of the book originated as the text in Instagram posts. All of them are short, and the images, scenes and words came to me as I walked in my city of Syracuse prior to the pandemic.

During the month of December, I thought it would be fun to share some of the poems and the photographs that inspired them. The first image points to a mystery I encountered while jogging one day.

Baby Stroller on Sidewalk. Photo by Francis DiClemente.

Baby Stroller on the Sidewalk

A stroller parked
on the sidewalk.

No parent present.
No wailing heard.

Just a question
Without an answer:
Where did the baby go?

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A Poem for the Season

Autumn Acknowledgement

On this glorious autumn day—
with bright sunshine, blue skies
and refulgent orange, red and golden leaves
shimmering on the trees—
I am not thinking about
freezing temperatures and lake effect snow.
I know winter will eventually come.
I know we cannot stave off
the inevitable despair that accompanies
the turn of the seasons.

But winter is not here yet.
So I will enjoy this fall weather
while I still have the chance—
while the green grass remains uncovered
and while the warm sunshine lasts,
at least for another day.

©2019 Francis DiClemente

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